You
come and stand
in
every door
saying
that
it
is time to get going.
This
is before the dew
evaporates
from the slats of lawn chairs
baking
in the sun all day.
Traffic,
always cars,
gets
thick as my tongue
at noon , u-hauls
and
trailer homes
leaving
for cooler towns up North.
Announcers
in
steam bath booths
loosen
their ties, the grass of the
playing
field is brown, balls are
felled
in zones of death,
announcers
are
drunk and lose their tongues
as
a lather of news, weather and sports
leaves
a trail up I-5, alias North.
You
stand in every door,
monotonous
as
suburbs
choking
the
shrubs from
the
canyons.
I
lose my tongue
thinking
how far
I
would travel
over
how many
state
lines
in
the grace and chase
after
Manifest Destiny
to
see you, just a glimpse
from
the corner of the eye
that
worries
the
crow’s feet,
to
see how
you
come from a neighbor's house
clutching
Tupperware
and
a deck of cards
both
to your breasts.
TV
aerials
from
the
eaves
of patio living
claw
the sky,
the
feet
of
a million dead crows,
winter
settles
over
the land
like
a serving
of
cold shoulder
on
disrupted kitchen tables,
billboards
along
the road
poking
out from pine tree groves
promise
hot meals
at
family restaurants
bearing
a sidekick’s first name.
Side
kicks
always
have
only
one name,
one
syllable whispers
on
a road
that
stretches
into
architectures of high risk investment
where
there are no products
any
one mentions,
only
the promise
of
return, life in heaven.
You
stand in all doors
and
talk to me about the scratches
on
record collections
as
if the wear of years
had
something to
do
with the lyric sheets
whose
italics express
something
to do with feeding
the
poor, ending war,
love
lasting
until
even corner stones
on
ugly buildings
are
worn away
by
weather and wind.
Strangely,
I am
in
gymnasiums again,
dances,
registered
desire,
long hair,
wire
glasses,
jeans
tight as snake's skin,
hips
and knees
triangulating
new laws of form
and
sex to drums and
guitar
solos lost
in
the rafters and rapture
of
feeling, then,
that
noise is power
and we would be marching
to
live a life
based
on album lyric sheets
and
scarred records
we play
back wards
with
a back hand,
the
rooms you were already in
reeked
of sweet smoke, and hope
for
the world
were
selling
subscriptions
of
underground newspapers
that
would sell
us
what we believed.
You
stand in
doors
you choose
because
the light of living
room
windows
is
your idea
of
peace in a world
where
anyone else
builds
walls around the walls
it
already has and
thus
misses the impossible
things
going on
while
the audience awaits
more
supermarket sales,
I
am still thinking
of
drinking up what's
left
in hours when hands of
the
clocks slow down
and
kill the last hour
with
kindness stolen
strangers who carry
songs and grave stones
to the same wicked altar.
strangers who carry
songs and grave stones
to the same wicked altar.
I
might ask you
to
please move aside,
I
think it is my turn
to
play with the knob
Until
you come and stand
in
every door again
on
the chance to get my attention,
there
is smoke coming from
buildings
on the TV set,
as
hand held cameras
show
us the steel and
glass
that flies endlessly into
the
acres of empty air
and
then down the street,
Every
door is ours only by virtue
of
our wanting to be here
when
the days of obligation are over
and
we live on hours
paid
for in full,
I
see the images of the sky falling
apart
over New York ,
you
stand in the doorway
leaning
against the frame,
only
half way in the room
as
if in a pose to leave, grab your shoes,
grab
your bag,
get
a cab at the curb, go home
and
moan by yourself
for
all the screams which are not heard
on
a day when it seems every
lie
I ever created and told,
every
fiction I have ever constructed
and
test drove in crowds
into
microphones,
in
front of rows of empty chairs
catch
up with me,
knocks
on the door,
Makes
me forget you are there
even
as you now stand in
front
of the set,
I
crane my neck to see
what
is happening
but
you move as well
and
block the view,
I
grab you around the waist
where
you stand
and
ask if you will love
me
until the sky falls
and
I can hear you breath deep,
my
ear against your stomach,
your
hand on my head,
forever,
you say,
however
long it takes.
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