"Batman v Superman" is, for the moment, the most controversial movie ever made, with the internet seeming to bulge beyond its digital boundaries as critics and fans alternately debate, praise, degrade, defend and assault the film and the film maker, Zack Snyder. For the record, I enjoyed the movie immensely, seeing it consistent with the versions of Superman that have come before in the comic book source material. That is an article yet to be written by me. Another day, another year, perhaps.This book post , though, is an example of fans getting too attached to their child hood obsessions; this is somewhat like a Norman Rockwell toned reminisces of a perfect America that never existed. There is a yearning that the world they think they remember should not have changed and that matters have only gotten worse since they gained adult bodies and adult experience.
Nostalgia is the ultimate buzz kill. My take away from the blog article is that is still mourning for the Superman of his youth, which is pathetic on the face of it. Mark Hughes in the Forbes piece has the good sense to understand what Snyder is doing with the character and the wits to understand that this "updated" Superman is consistent with how the Man of Steel has been rendered in the comics over the decades. Interpretations of characters have to evolve, especially great and iconic characters , whether Superman, Hamlet or Otello; playing the Shakespeare card here seems a little cheesy, sure thing, but it's to make a point that what makes characters great over several decades or over several centuries is that they are adaptable to current temperaments.
Plot elements and basic characteristics remain stable, but how characters like Superman, James Bond or Hamlet deal with their circumstances as extraordinary people among ordinary populations in crisis is the element that keeps them fresh. Superman is consistent in BvS with is comic book counter parts, but what Snyder depicts is the struggle with how to go about being a Super Hero; to quote Mick Jagger and pursue the Kal as Christ trope, Superman has his moments of doubt and pain, a man with great power whose first instinct is to help and do good facing grave unintended results and a backlash against his presence . It's an idea borrowed from XMen,of course (but then again, XMen were borrowed from Doom Patrol) , but it's an applicable approach to conveying Superman as an active agent in a world . This is not the world of Curt Swan, a hero consigned to rescuing cats from trees and suffering exposures to promiscuous varieties of Kryptonite, this is a Big Blue with the classic existential crisis, a man emerging from self doubt and ambiguity taking action against a threats and menace. this'