Sorry to hear this. Braverman was an especially brilliant prose writer and a powerful lyric poet who could twine together the insane sweep of mythology, feminist, confessional revelations , erotic depositions and the like into a captivating , galvanic roil of language that seemed nothing less than a controlled, emotional explosion , remindful of the classic image from Apocalypse Now when a napalm strike took out a long row of trees in a Vietnamese forest. Really, her "incantatory writing" , as she called it, got the nerve endings flaring.I met her after I'd written a rave review of her book FRANTIC TRANSMISSIONS, a mesmerizing memoir if one has ever been written, something that led to a brief communication and an eventual appearance at the bookshop where I worked at the time. She was a handful to be around, I should say, and as much of a genius she had as writer and poet, there was tangible relief when she left for the evening. All said, Kate Braverman was an amazing writer who deserves a broader readership. There is more I could say about my encounter with Braverman, but lets instead consider my summary judgement on her prickly and hallucinogenic memoir Frantic Transmissions from 2009:
"Frantic Transmissions to and From Los Angeles is a memoir, of sorts, about growing up in Los Angeles, and then the eventual moving away from that famously center-less city. Writing in a high poetic and semiotically engaged style that recalls the best writing of Don DeLillo (Mao ll) and Norman Mailer (Miami and the Seize of Chicago), Braverman deftly defines isolated Los Angeles sprawl and puts you in those cloistered, cul-de-sac'd neighborhoods that you drive by on the freeway or pass on the commuter train, those squalid, dissociated blocks of undifferentiated houses and strip malls and store front churches; the prose gets the personal struggle to escape through any means , through art and rage, and this makes Frantic Transmissions not unlike Portrait of the Artist as a Young Man, wherein the prodigal son or daughter deigns to move up and away from a home that cannot keep them, with only raw nerve and the transforming elements of art to guide them. What Braverman confronts and writes about with a subtly discerning wit is the struggle of defining the place one calls home, and what roles one is obliged to assume as they continually define their space, their refuge. All through this particularly gripping memoir there is the sheer magic and engulfing power of Braverman's writing; I was fortunate to receive an uncorrected proof of Frantic Transmissions a couple of months ago, and I was knocked out by what I beheld. Sentence upon sentence, metaphor upon simile, analogy upon anecdote, this writing is rhythmic and full of stirring music. There is poetry here that does not overwhelm nor over reach; this is an amazing book, and it is one of the best books about life in Los Angeles , quite easily in the ranks of Nathaniel West, Joan Didion, and John Fante. "