
History, in a very strong sense, has been technology and capitalism 's constant debasement and de-centering of the personal, the meaningful, the authentic; gadgets of all sorts, whether the printing press, radio, movies, television, public universities, have reduced previous centers of cosmology-cohering , rearranged social arrangements between classes and institutions and made everyone with half a wit rethink what they thought they knew and construct their own version of being thrown out of Eden. And the same naysayers to progress--progress in this sense being neither positive nor negative but rather being inevitable, unavoidable despite the appearance of resistance-- that what was in place was better because things were slower, richer, more nuanced.

Our principle difference with other animals in regard to our
basic responses and reactions are that we language skills that helps create the
philosophy and art that helps us believe that we make everyone of our decisions
through the choice use of free will. Some of us are smarter than others, though
(yes, I believe that) and one is tasked with making the best choices about what
to WITH the new technologies rather than grouse and complain that something
need to be done ABOUT the new world that is constantly unfolding. Franzen is
not a moralist about good virtues and a better life that is now gone, he is an obsessive
crybaby who trades in nostalgia as a means of making himself distinct from
other literary sorts who want to be cultural critics . His mourning over an
idealized past isn't a moving paean at this point, its shtick.
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