Sunday, April 26, 2020
LIVING IN A GHOST TOWN by The Rolling Stones
Living in a Ghost Town, the first new music the Stones have released in a decade is
certainly news. But it doesn't do much for me. The tune seems like a less
inspired 'Waiting for a Friend”--hardly my favorite Stones song--but
instead of a spry Sonny Rollins saxophone solo, we get Jagger's harmonica. At
this point, it's a bit of a sham for anyone old enough to have known this great
band at their height to pretend that Jagger is a musician worth concentrating
on. This would have been a great song for Sugar Blue to elevate. It perhaps is
fitting and ironic that they produced a topical song that's as empty as the
city they're singing about. Should you mistake me for a Stones
basher who thinks they are not just relics
of a better past , I think the Stones have been one of the very
few 60s acts who've managed to continue to make good rock and roll as they've
aged and found themselves in the 21st century. A Bigger Bang, their 2005
album and the last full disc of original material, I consider one of the best
of that year. Steel Wheels, Bridges to Babylon and Voodoo
Lounge were entertaining and credibly rocking. I have nothing against
their age; they are a band of longstanding achievement, and they continue to
tour (until recently) because that is what musicians do, perform live. But I
have never been a big fan of the band's slower, more "philosophical"
tunes--Jagger may be a first-rate wit and world-class cynic with talent for
creating a convincing persona to carry a tale, his gentler side has never
convinced me of anything other than he's attempting a role he's not cut out
for. Jagger is a remarkable vocalist and frontman who’s sold me on a dozen poses
he’s proffered over the many decades—droogy punk, bisexual drug addict, street
fighting man, serial killer/rapist/ aristocrat/ blues shaman—but the reflective, the contemplative, the softly ironic muse role is something he is not suited
for. The actor’s mask suddenly cracks.
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