
The writer's mind is a restless thing indeed, with its antennae always
positioned to scan and notice and interpret the other wise un-narrated
events of the world, the small happenstances that follow other related
incidents of otherwise no particular consequence to the quality of the
scribe’s day. I well imagine Sleigh and others like him staring out a
tourist grade window in a generic hotel staring at the fabricated
Americana in front of him, the comfortable swimming pool, the parking
spaces numbered and marked with oil stains, the sequentially planted
flora and shrubbery and the landscaping which is either obsessively
maintained like a forty dollar manicure, or showing lack of care around
the edges as brown spots on the lawn and dead leaves on the bushes
reveal the brutalities of weather and bad staffing.
The poet peers into
this bland arena and desires to make something happen, to find details
and commotions that stray from the scripted norm and which appear to
bringers of chaos, the usurpers of authority,the life force that cannot
be contained by check out times or planter boxes from Pottery Barn, So
there is a block and bag in a chase and a duel and a gavot and high step
that brush against the otherwise stationary world of a hotel public
area, a bit of unruly behavior that could not be predicted; the
narration begins, the struggles of being a alive come to mind and find
themselves diagnosed and outlined in Sleigh’s telling what he sees and
thinks.
It is a fresh examination of things that rarely get scrutiny
save for safety inspections and minor repairs; what I enjoy about this
poem is the conceit that there is a secret life to things that have no
nervous system, no brain, that do not breath nor procreate. It is a
cartoon rendering, coyote vs road runner to an extent.
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