I do believe that one can learn the feeling and the craft of the blues and make legitimate, moving, innovative blues music mostly from listening to recordings and attempting to emulate what's being heard. Unlike a good many graduate students who attended college the same time I did, I believe in the metaphysics of presence, which means, simply, that great music, great art, great novels and the like embody the virtues and nuance of the artists who made them and that those qualities can be transmitted to others who are likewise interested in expressing their emotions and experience in ways more beautiful than snippy complaints. I can only speak of my own experience, of course, but once I heard Butterfield, my choice was made for a life time. What is essential for a blues harmonica player to get to the level of conveying great emotion through an original take on familiar blues structures is to play, play, play and play again; if the student is determined , the path will be cleared.
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