The victim internalizes the blame infers that she deserved to be punched. Yes, Spector didn't write the song and a more exacting examination is due Spector, guns and violence against women as a matter of course, but it's interesting that his production of a song that makes hitting women a natural consequence of a woman betraying the needs of a male for which the female can only blame herself. Let's remember that this is a pathology and that Spector, along with Goffin and King , perpetuated it, a product toxic to its essentials intended to be sold to an audience that one presumes thinks it's expectable to commit violence as a means of expressing how one feels.
Monday, January 18, 2021
PHIL SPECTOR IS DEAD AND SO IS LANA CLARKSON
There will be posthumous praise enough for the brilliant but entirely problematic Phil Spector, who recently croaked of Covid complications. He made magic, he changed the way hits were made, the whole shot . Not that anyone's forgetting that he died as a convicted murderer responsible for the death of Lana Clarkson in 2003. That he was alcoholic, a gun nut and a severely paranoid were well known Spector attributes, a bad combination everyone seemed aware of. It seemed inevitable that something as tragic as the death of Clarkson would happen sooner or later. So lets consider the intersection between one's art and how that art is informed by intractable social attitudes . This 1962 song, HE HIT ME (It Felt Like a Kiss), recorded by The Crystals, written by Gerry Goffin and Carole King and produced by Spector , is the recitative of a teen girl telling the tale of being "untrue" to steady beau by kissing another boy, and that the young cuckhold hit her. "He hit me", the chorus goes, " It felt like a kiss", an efficient and disturbing encapsulation of a battered woman's mind set that the blow was a profession of love .