Sunday, March 4, 2018

Clapton assessment

Image result for eric clapton sleepingI lost interest in Clapton's guitar work quite a while ago. Post-Cream, his solo work was pretty lazy, with outbreaks of inspiration , such as Layla or his wonderful blues disc From the Cradle. Others may feel differently,but he seems to have recycling old riffs for decades; I count from Wikipedia that he has released 16 live albums under his name over the years, a sign of  laziness, as no new material is coming forth, but also of arrogance, a conviction,if unspoken,that each of his long blues solos is a work of art, ready for prime time. 

This works worth Coltrane to large degree, in my view (and tastes) and much less satisfactorily for Keith Jarrett (who noodles as much as me combusts with inspiration). It's not so objectionable for a jazz musician to have numerous live albums over the course of a long career since a tenet of the jazz aesthetic is that no two improvisations on the same song are alike. 

Each performance is a unique work of art, and able jazz players are able to recast,re-imagine, re-brand their signature songs continually. Clapton,though, is not a jazz musician, but a blues player, with a far more limited vocabulary of ideas that simply repeat themselves. There is redundancy in his execution that becomes wearisome with all those elongated solos. These days, where he gets my attention is less the addition of new musical ideas or context, but rather by the quality of fire he brings to the old material, to the signature riffs and phrases. My favorite example is his reunion with fellow Blind Faith member Steve Winwood from 2009. Clapton's guitar work burns hot,fevered, intense, inspired throughout the two discs. This two disc set more than reclaimed Clapton's greatness from drifting, plodding and dispirited money grab that was the 2004 Cream reunion.

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