marry me during the commercial

the hands of my watch have stopped
dead in their track, frozen on the dial

and the spoon full of steaming soup
is an inch from my mouth, arrested.

the cat looks to be posing for cute posters of
cats knocking things over, like it's done tonight with

that drink that is stuck in mid air , in front of the TV
with the beer ad on where no can even lick their suds

because time has stopped for the time being because
you're out of the room, on a cell phone , smoking

a Camel as you probably conspire with a girl friend
to stuff me in burlap bag and leave me

on a corner in a bad neighborhood, thinking gypsies
or blues musicians will find me and give me something

to do besides moon over your image, holding my breath
until you come back into the room,

just like your doing now, coming through the door
reeking of filter tips , cell phone in your grip,

looking at me askance when you see me exhale,
blowing out candles in the process, oh yeah,

I mean it's okay, really, I'm just glad you're back
from the break you took in the middle of my proposal

which means that all the breakable things left in the air
in your absence can now come crashing down to the

hard tile floor , all the bric-a-brac and my world particularly
getting bruised, bent and shattered and breaking wide, wide open,

my heart is broken again
when it's time to swim

and there's nothing funny about this at all,
I mean,

you're kind of cute, the way you
reduce me to rubble
even in my finest
courtin' clothes.

The Drive Home

The boy whistles half a song
he heard half on the car radio
when he was half listening
with the other ear to his Dad
who was half asleep already
after the long party where Mom
took his keys and pulled him the coat sleeve.

“Please please me” the boy finally sings
in the middle of Dad’s story about
the time when he was ten and he swung a bat
and hit the ball so hard that it sailed all
over the globe and came back  that
where the game was played and broke
an apartment window that made
the old women scream
and the young men cry,
“Please please me, oh yeah….”
the boy sings,
Dad smiles,
Mom drives,

“Oh yeah what? asks Dad,
rose cheeked and  slurring
as Mom fires up a cigarette,
with the electric lighter,
“Please you what oh yeah?”

The boy looks at Mom
who is looking  straight ahead
as they drive the country road
back to the city at night,
billboards  for A&P and Ford dealerships
passing by until the sky brightens with
street lights and neon that makes
the snow on the grown look grey,
full of suit.

“Oh yeah what?:” Dad asks again
and the boy coughs from the cigarette smoke,
thinking that the car no longer smells like new leather.

“ Please please me, oh yeah and I love you”
he sings, his voice cracking as he reaches
for a note that miles beyond  his grasp.

“…AND I LOVE YOU” Dad proclaims
and now looks out the window,
silent now and soon snoring
as the boy notices that
there are more houses passing by
and less wooded groves,

“Dad is snoring” he tells his Mom,
who was singing “Tennessee Waltz”
with Patti Page on the radio and
every violin player on the planet,

“Yes he is” she says, turning
into their drive way,
“he  loves even when he’s sleeping”.

Larry Rivers History

Larry Rivers History LessonIn spite of everythingthat's hard and coveredin cigarette burnsThere's not a ghostof a chance thatthis exact world hasbeen here beforeI entered the museumto stare at statuesand rooms full of soaked canvas,Washington crosses the Delawareas though posing fora glossy magazine ad for whiskey or fabulous airlines,Manhattan is nestled inthe forests aroundGreat Lakes country,Those who fire firelong riflessee only the bloodtheir red coatsincite in the eyesof those whose farmsthey burn on sketchy grounds,History and advertisingoverlay each otherand leave their tracesas rough drawings wrestling for control of the wrist that holds the pencil,The world in outline,fading reds and bluesdrifting out of the lines of what the eyesees in one viewing,the easiest dimensionThat shimmers, blurs,stutters on viewing,repeats itself endlesslyalong with so many deathsand births that crowd thecalendar days,Damn I wouldwalk a mile for many a Cameleven thoughI smoked my last oneten years agothis fall.

A PILLOW BETWEEN OUR WORLDS

A PILLOW BETWEEN OUR WORLDS

I am sleeping
while I make the
eggs the way an army likes them,
guys with guns
and armor
who came by last night,
looking for a party,
finding religion instead,
the only thing to
do when there are no women
in the house and no war to
fight except a yawn
and some obscure itch
at the scalp line,
an army of scared rabbits,
a  receding hare line,
a joke the eggs me on
snoring as I flip
the eggs, scrambled ,
like an alphabet soup,
onto plates, snoring
and sawing logs with nostrils
flared like pants on a ballroom dance floor,
an army praying for women, just some one to pick a fight with,
I find myself chewing my tongue, head against the pillow, awake in the light that comes from the bathroom , there is water running, the sheets are wet with sweat and drool,
I see your mouth glisten with  lipstick,
your dress hangs on you
so right and precise as it molds itself lovingly over your breasts and
hips that it hurts me to say goodbye again, I know what you will say
when  you see me watching,
“You’re still asleep, friend, go back to the
other dream,
an  army waits for you
that could  use your knowledge about
things to do
when everything is done”,
so I close my eyes, a tail of your dress
whipping around a corner, through a door ,
and  there are dirty dishes,
guns and armor all over the carpet, tired men
with out wives or girlfriends
to love them
mediating on uniforms and regulations  in an age
when war is only dreamed of
in philosophy,
this world
fades, the shadow
at the end of each street
I  think I can enter into passing by
in cars and buses,
doors and windows looking onto other dreams
of armies naked in their
lack of  dreams, a religion of standing around,
waiting for a whisper,
this dream before the next one,
a pillow between our worlds.

Poem during the eleven o'clock news

Poem during the eleven o’clock news

A car backfires around
the block and the news
that night still comes to
nothing but the same old scores
and the same teams swing clubs,
throwing tethered balls, not a word
of who ran out of gas on the tracks
as the train appeared in a movie

Maybe, yeah, a movie
we were watching
about someone's stalled car
coughing for gas in the tail pipe
as a locomotive approached
around a dark, bend of the mountain
and a basketball bounced and rolled
off the playing floor to the showers where
the   towel boy dropped the phone
he'd just answered,
dropped the soap in a shower you were taking,
female and foamy and curved like the lines
of cello pressed between legs
of a musician who watched a foot ball game
with pork rinds on his breath,
the tips of his fingers,
you ask for a towel,
a new cake of soap,

I slip train tickets under your pillow,
think of the moon in low, stirring tones
of rich wood purring sounds that are
nothing like cries for help,
the TV is on in all these worlds
that are passed through.

I dream sports on tracks a planet
thriving  on humidity and cigar smoke,
you say "give me your money
and make a wish, please,
make a wish and don't tell me..."

Recent Fiction Less Than Five Years Old

Meet Me in the Parking Lot
Stories by Alexandra Leggat
  
Flannery O'Connor, Russell Banks and Jersey Kozinzky meet for coffee, hash browns and small talk about psychic exile and the best sort of knife edge to hack through a bothersome bit of bone. Odd, disturbing, violent material here--violence either explicit or always at the edge of the crystallized situations here--all of which are made more jarring with Alexandra Leggat's taste for terse sentences and abrupt endings.

It works, for the most part, and the arc through the stories, life inside cars, on dark streets, side roads, parking lots behind anonymous bars, presents us with any number of dazed, abused and high strung women and rattled, crazed, raging men enacting any number of strange movements and quirks. At best, these stories are an adrenaline jolt, speaking truly to the sort of flash that gives one the urge to leap in front of traffic, to challenge immensity of grave and incalculable danger. Fans of Joyce Carole Oates take note , as Leggat seems a likely and artful heir to her position as chronicler of the Imperiled Woman.

 

Still Holding
A novel by Bruce Wagner
 
There's something refreshingly unforgiving in Bruce Wagner's lacerating Hollywood satire; those readers who've had a love/hate relationship with the movie business, an attraction-repulsion dynamic that loves movies themselves and yet is sickened by the business culture that makes it possible, will find the nasty laughs here telling, truthful, and an overdue joy to read.

Anyone else who desire something redeeming to emerge from all the bad faith, a kind act or sacrifice arising from some forgotten reservoir of decency would be better off seeking less severe wit. Wagner mines the old joke about Hollywood that "underneath the tinsel there's more tinsel", and obviously appreciates Jean Baudrillard's theories on simulacra, where the slavish and stylized impression has replaced the real; set this heady abstraction on to the business of celebrity lookalikes and the community that arises among them, we get a twisting , fun house mirror of Hollywood , a parallel existence that mimes the worst and most inane features of the stars they imitate. Wagner, in addition, writes like a wizard who knows where all the bodies are buried and the garbage is dumped.

Oblivion
Stories by David Foster Wallace
 
At his best, David Foster Wallace is an astute chronicler of the often needless (and fruitless) complications characters create for themselves. In these eight stories, he outlines the absurdity, sadness, and sheer comic reality of the outer-edge of consciousness. Fashion magazine editorial boards, consumer research companies, and paranoid office situations are among the areas fictionally explored where human activity fractures into dozens of frantic, nervous tangents. Oblivion is a dizzying, daring set of tales - a riveting virtuoso performance. Ironic, yes, that Wallace's exhausting "maximalist" style, which seems dedicated to fitting everything in sight into a sentence that contains everything else, works best in his shorter pieces: the humor hits harder, the stretches of associations don't have time to die on the vine.



The Body Artist
A novel by Don DeLillo
 
DeLillo is perhaps the best literary novelist we have at this time, which the career-defining masterwork  Underworld  made clear to his largest readership yet: at the end of all those perfect sentences , sallow images and and long, winding, aching paragraphs is a narrative voice whose intelligence engages the fractured nature of identity in a media-glutted age.
 
The Body Artist  has him contracting the narrative concerns to a tight, elliptical 128 pages, where the Joycean impulse to have a private art furnish meaning to grievous experience is preferred over the dead promises of religion and philosophy. What exactly the woman character does with her performance body art, what the point is of her ritualized , obsessed cleansing of her body, is a mystery of DeLilloian cast, but it's evident that we're witnessing to a private ritual whose codes won't reveal themselves, but are intended as a way for the woman to again have a psychic terrain she can inhabit following the sudden and devastating death of her film maker husband. The entrance of the stranger in the cottage turns her aesthetic self-absorption , slowly but inevitably, into a search into her past in order to give her experience meaning, resonance, a project she quite handily ignores until then. The sure unveiling of her psychic life is a haunting literary event.
 
DeLillo's language is crisp, evocative, precise to the mood and his ideas: you envy his flawless grasp of rhythm and diction as these traits simultaneously make the cottage on the cold , lonely coast seem sharp as snap shot, but blurred like old memory, roads and forests in a foggy shroud.  A short, haunted masterwork.

Nights are cold in the canyons

Nights are cold in the canyons

Cross your arms when speaking
of your wives and their telephone calls
in the night, on the back porch,
sobs and crickets carrying on through
until sunlight comes over the garage,

Bless yourself again
for having a family
whose eyes saw you falling?
and whose arms caught
you and laid you in a bed
until another morning
came and the sun emerged
from behind
night and morning low clouds,

Give a man a quarter
for what he needs to drink,
nights are cold in the canyons
where you lost flashlights
and pocket change,

Stop speaking of
former loves
and open every window
and listen to noise
that does not come
from inside your cranium
buzzing like electric shorts
in an old house at the end of
an ugly, washed out street,

Kneel when BB King
plays his guitar
or someone reads
a Frank O’Hara poem
about being stunned
because the lights have changed
and the whole city waits for him
to cross the street
and have his breath taken away,

Play your harmonica
until your lips start to bleed
at which time you’ll be ready
to kiss all the invisible gifts
that makes this life worth sticking around for.