Tuesday, July 19, 2005
Cecil Taylor
Nothing fits the cadence that
quits before a fist can pound
hard ivory blocks for truth
that is both black and white
and a chronic wash of riffing tones
flying in formation around the
shape of your head as you forget dreams
and addresses of friends you need to call,
drums lay it down, high hat , snare rattle,
a road that takes you out of town
to further reaches past the beaches
and downtown corners where you
cars and their screeches
as they stop for pedestrians
chatting up phantoms with
empty cell phones, wasting
minutes as they cross,
fingers building and knocking down
chords and melodies to the rhythm
that has ceased to be a way to move forward
and is now a quaking way to meet
the man in the moon,
piano jazz in the thick of cocktails
that muddy the distinctions between
a screaming blues sting
or the sideways , shard -ridden
gray-hued murk of Dachau's
lost voice and string quartets,
a music that's constantly waking up
in night sweats, angular and hallow
in the chest,
are there shadows dancing
with one another as this
music plays?
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The Atlantic a month ago ran a pig-headed bit of snark-slamming prog rock as "The Whitest Music Ever, "a catchy bit of clickbait...
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