Thursday, October 27, 2005

I am not Billy Collins

Billy Collins does not live on my street
nor do his poems come to mind
when I hum a line from an Art Tatum solo
when getting the mail under whatever
the color the sky happens to be,

I would think he fears bills
and invitations
as I do, prefers tenor saxophone
to reedy alto flights,
finds solace in Pierre Teilhard de Chardin
when his computer breaks down
as I do when things fail
and I scramble for a passage I copied to a business card
from a description I read of someone else’s review,

There is no house with picket fences
nor apartments set off from the street
by grand trees and high hedges,
there are only parked cars blocking
the sidewalk as they impose their tires
on the curb, tattooed monsters drinking beer
and girls sobbing into cell phones
about what they wore on their worst night ever,
and me, dressed to leave as if forever to be gone
but staring at the computer trying to
fill this page with words,

Instead of a house mate singing,
there leaf blowers roaring
up and down the walk
scattering clipped grass from one
door way to another,
there is only ginger ale for
vodka martini fatalist,

Billy Collins would
find some clever things
to write in the absence or presence
of anything interesting
occurring in the place where
his feet are actually planted,
some planet or star or
an old Movie Poster
would rouse from his
seat and send on a mission
to get some inane thing
done because so much of
Western Culture hinged
on his having yet more
epiphanies and eurekas
as he sorts his bills, licks stamps,
contemplates dinner
and how large the portions,
Mozart and Wallace Stevens
ride in his backseat
as he drives to the market
where he meets Charlie Parker
and Thomas Carlyle
in the desert line, eating snack samples
made of cheese and crackers
from a lady in a tunic red as roses
on the slipperiest anniversary,
and then it’ll be home, a poem,
a cool round of music
and settled bills,
a world at rest after a hard day of being.

At this moment my dog
would bark if
I had a dog
but my feet hurt
all the same
walking for blocks past
Radio Shacks and taco stands
dragging a plastic bag of used paper backs
and canned food
for what is another night
of Law and Order reruns
and a final thought
in passing that


I wish I was Billy Collins
for a half hour just to see

what it’s like to live
in a world where
every thing I do ends up

perfectly measured and clever
in the form of a sentence
in a perfectly poised poem
that makes me laugh
or cry and leaves me

somewhere in between
as if dumped on an empty highway
from a fast car after being wooed
by the sleaziest bastard in my little town.

Tuesday, October 25, 2005

The death of small towns



Strange habits of brew overkill
studs the patter like
buttons on the coat sleeve
that cut the nostrils
in a full winter climes’
descending scale
of hot items.

All the things about
how needed surgery
destroyed her capacity
to get the words in the right order
without sounding as if she’d
been riding to another water shed
with another boy
named Jason or John or Jake
as it maybe who had
a hobby of spearing rats
with his buck knife and
skinning them for wallets
he’d sew together and sell
at the drug store on Sundays,
after Church.

Seeking some kind of refuge
with the regulars who been
irregular for many twisted years,
seeking an easy place to sit
and read the paper,

there I was,

Drinking ‘though not
thirsty at all
as the sun set and the
light in the bay window
dimmed until the room
was gold toned, then sepia?
and then a fine dark ash
that was perfect for
falling asleep in or
breathing your last
as a final memory crowds
out every deadline I might fail to meet,
or merely continue for hours
drinking in the dark
in the same old chair
listening to faint music
and the late hiss of tires
on the street roll by
until it seems that
there are no doors
or windows in the room
and things are exactly as they always will be,
alone and lost in themselves
in various suggestions of dark vapor.

Saturday, October 22, 2005

i am not a crow on a power line

there are so many dimes
in the universe that want
to leave my palm and fall
into empty soda cups
held by grizzly men
in need of a shower and a steak.

there are so many grizzly women
leaving pennies on the sidewalk
because there is nothing
less to settle for, nothing more
to stoop to.

stoops full of scrubbed
and shaved men glistening
with soap, pink as rug burns,
cracking their knuckles
and rubbing their necks.

plastic cups with traces
of orange juice along the bottom
litter the street in front
of what was once a hotel
when rooms were rented
until check out time
the next morning.

stacks of Tiffany lamp shades
fill the back of the truck
and block the skyline
that tries to reach higher
that the loftiest power line
in the city where every lazy crow
comes to rest in the daylight
just to watch us cross streets,
go into buildings, write checks,
cry in the chair that faces
the street,
getting up again
and rubbing our grizzly chins
and the back of our necks
as if we knew what we were doing.

Shoes on a wire


Shoes on a wire
Originally uploaded by Ted Burke.

i am not Bob Dylan

nothing jangles except
keys in my pocket,

there are no
ghosts around
the light switches
in my kitchen,

they cannot read
my passport
at the border
as it drips with
Farmer Brown's paint,

i was under
the yellow sun
today dreading
avian flu,

why are my sheets
covered with
with chalk crop circles,

my friends from
medical school
won't tell me
what's in my mailbox,

even my girl friend
tells me what
my wife couldn't admit,
i am not bob dylan.



Thursday, October 20, 2005

Four Scenes Set to Country Music




1.

Too long after the sun
has set do you dare me to tackle
something that sends
you running through the French doors
holding your nose,
there's something about the phone
bill
I wanted to ask you about, but
then I'm distracted by you on the patio,
back turned,
waving your hands, shaking your wrists,
an orchestra of flowers
below your feet
to do your bidding.

2.

You unfolded the newspaper
to where you
found me on page three,
under the obituaries
and next to the ad
for the Sunday specials.
My mouth was open,
I was shaking my fist,
the world around me
was leaning to one side,
yet only my hat was flying
off in that direction.

3.

You want to die
and I want to dance.

I want to sleep
and you want to
talk something through
until natural light
fills the room.

You want to
get real
and I'm always
in the mood
for amore
or at the mechanics
of it all.

Both of us feel like
Chinese tonight
and neither of us
have asked
why there's a grotesque
onion loaf in the middle
of our table,
next to the flowers,
which are dying.

4.

Chances are that some
of the things that I might say
will save someones life,
provided, of course,
that this is a cartoon
we are living in.

Friday, October 14, 2005

Nights are cold in the canyon


Cross your arms when hearing
your wife and her phone calls
in the night on the porch,
sobs and crickets carrying on
until sunlight comes over the garage,

Bless yourself again
for having a family
whose eyes saw you falling,
whose arms caught you
and laid you in a bed
until another morning
came and the sun emerged
from behind night and morning low clouds,

Give a man a quarter
for what he needs to drink,
nights are cold in the canyons
where you lost flashlights
and pocket change,

Stop speaking of
former loves
and open every window
and listen to noise
that does not come
from inside your cranium
buzzing like electric shorts
in an old house at the end of
an ugly, washed out street,

Kneel when BB King
plays his guitar
or someone reads
a Frank O'Hara poem
about being stunned
because the lights have changed
and the whole city waits for him
to cross the street
and have his breath taken away,

Play your harmonica
until your lips start to bleed
at which time you'll be ready
to kiss all the invisible gifts.">Slate Magazine: "Nights are cold in the canyons

Cross your arms when hearing
your wife and her phone calls
in the night on the porch,
sobs and crickets carrying on
until sunlight comes over the garage,

Bless yourself again
for having a family
whose eyes saw you falling,
whose arms caught you
and laid you in a bed
until another morning
came and the sun emerged
from behind night and morning low clouds,

Give a man a quarter
for what he needs to drink,
nights are cold in the canyons
where you lost flashlights
and pocket change,

Stop speaking of
former loves
and open every window
and listen to noise
that does not come
from inside your cranium
buzzing like electric shorts
in an old house at the end of
an ugly, washed out street,

Kneel when BB King
plays his guitar
or someone reads
a Frank O'Hara poem
about being stunned
because the lights have changed
and the whole city waits for him
to cross the street
and have his breath taken away,

Play your

harmonica
until your lips

start to bleed
at which time

you'll be ready
to kiss all the invisible gifts."