Truthfully, I used to like Aerosmith quite a bit and still get an adrenaline rush when I hear their best tunes. Guitar-centric rock was my preference in the Sports Arena days, but where other bands of the era now bore me and dated themselves badly, AS were pretty much the best at catchy riffs, savage, terse guitar solos and absurdly clever double -signifying lyrics.
The combination of riff -craft and professed cocksmanship was made to order for any frustrated 20-year-old genius yearning to abandon his book learnin' and take up the microphone, center stage, instead. As you know, my tastes have gravitated, gratefully, towards mainstream jazz and blues over the last thirty five years--classic Miles, Coltrane, Mel Lewis, Wayne Shorter, Joe Pass, lots of Blue Note, Atlantic, ECM, Pacific Jazz, Verve, Impulse, Fantasy record releases--and rock and roll no longer interests me in large measure. But I still get a charge when a good AS is played--I rather like Tyler's rusty drain pipe screaming and I believe Joe Perry is one heck of a good chunk-chording guitarist. It helps, I guess, that these guys never got far from some rhythm and blues roots, even if those roots come from the Stones and not Motown or Stax. This may be damning with faint praise, but they were a brilliant expression of a young glandular confusion.
What makes this art is this band's skill at sounding like they never learned anything fifty feet past the school yard and no much else beyond the age of 25. As we age and suffer the sprains , creaks and cancer symptoms, inherited and self-inflicted, our past gets more gloriously delinquent more we talk about it and we find ourselves gravitating to those acts of yore who seemed to maintain a genuine scowl and foul attitude. Nearly any rock band based on rebellion and extreme bouts of immaturity just seems ridiculous after awhile--Peter Townsend is lucky enough to have had more ambition in his songwriting with Tommy and Who's Next to have lived down the dubious distinction of having written the lyric that exclaimed that he would rather die before he got old. Aerosmith, in turn, still sounds good and rocking as often as not simply because they have mastered their formula. The sound a generation of us newly minted seniors occasionally pined for remains the audio clue to an idea of integrity and idealism; what is disheartening, if only for a moment, is that this band's skill at sounding 21 and collectively wasted is a matter of professionalism and not an impulse to smash The State.