Wednesday, August 4, 2010
Dark, serious, peppered with a bitter wit, this film as well has a terrific look, from the editing , which is smooth and seamless , to the photography, which sustains the dark noir tradition while not slavishly trying to recreate the classic look of older films. The dark color scheme and the night lighting in this movie are gorgeous, a glorious thing to see in a macho drama where three hard headed alpha males breakthrough the confines of ego and pride and commit themselves to something bring their skewed universe into balance.
Best yet, Hanson does not attempt to make the resolution too pretty, too Hollywood typical; the carnage, killing and generation of misery that had to be gone in this quest for a simulacra of justice remains conspicuous : the racism , misogyny and homophobia that inhabit this world do not vanish, feelings between offended and offenders are not salved; Los Angeles in the late Fifties remains a corrupt cesspool, with just a hint of any kind of spirit of reform. This drama is concise and precisely localized, a case of ethics conquering avarice in a single , particular string of incidents. The taste of cruel irony is barely concealed by the movie's end. There is not a false note anywhere.