Thursday, December 26, 2013

Song Cycle by Van Dyke Parks


Song Cycle -- Van Dyke Parks

Purchased for a buck at a garage sale, an over busy if often inspired bit of Sixties art-pop. The ambition is the attempted embrace of the width and breadth of American popular music, and though Parks fails to accomplish this, the disc is admirable, with the embrace of Gershwin, ragtime and Charles Ives being nicely enveloped within a semi-scored album where the "concept" album achieves what other rock art music fails to get; the concept meets up with continuity. 

Always interesting, though Parks' voice is nasal and over enunciated. His lyrics have been describes as "esoteric Rod McKuen",which is fine if that's all you can think of when poetry comes to mind. It reads more like if James Merrill rhymed consistently in his elongated stanzas. Fantastic job on Randy Newman's "Vine Street". "...But, in truth, more often I just reach for Harry Nilsson...." is what critc Miles Milo said in an on line forum when the chatter dwelled on this disc for a few postings.Point taken, in as much as Nilsson was as hooky as he was the musically brilliant; he was as much a wise guy as a whiz kid. 

That said, I am getting more into Song Cycle the third and second time I gave it spin today, and for all the obvious trappings of Sixties simulacra when it comes to replicating older regional styles, ala Sgt.Pepper (a curse few survived when they tried the album-as-art business), this particular disc has integrity and some guts under the esoterica. Parks' version of this exotica is lusher, more loving, and akin to what E.L. Doctorow had done in his period novels Ragtime and World's Fair: the resplendent vision of a more elegantl and simple time is made odd and unfamiliar as contemporary psychological crisis es emerge from the tasseled finery. 

His perversions, his dissonances are delightfully bracing, if such a thing can be; the smart move is that he goes after Ives and molds the orchestrated and grandiose Americanism into something large, a little insane but not evil by any means. The ideas work as a unified whole. His grasp of orchestration and classical composition exceeds what Frank Zappa brought to the public. Plus, "Vine Street" is simply one of the best covers of a Randy Newman tune I've come across in my years. An additional plus is his deconstruction of "Donovan's Colours"; the original melody is all but obscured and obliterated outright by Park's inspiring pile-ups of sound and overt virtuosity. Nice.